Science & Equine

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Art & Design

Written by Boudewijn Commandeur

Muzeum Narodowe, Sukiennice Building, Kraków
Image by: Muzeum Narodowe, Sukiennice Building, Kraków

A spectacular painting with a special creative force

This gigantic painting dominates the Gallery of 19th Century Polish Art in Kraków. The width of 6,6 meter exceeds that of most paintings in the more famous Galerie des Batailles in the Château de Versailles. The paintings in Versailles are monumental in the history of France, but this Polish painting only renders the exploit of one man, who enjoys the running of his four horses. 

Another important aspect of this painting is the position of the horses’ legs. In 1881 the stereotype position with stretched legs in the flying gallop was still common. Chelmoński, however, did not use the stereotype rendering, but applies a new position with one or two legs bent over. This posture is not correct either (the scientific proof of the real movements dates from 1874), but very suitable to give the impression of extreme action and speed, better than the conventional stretched legs. Here the artist has added a new feature to the possibilities of the horse painter.

This article is reposted from the website of the author Boudewijn Commandeur: thehorseinart.nl

 

"stereotype stretched legs" Frederick Woodhouse Senior, 1820–1909. The Cup of 1862-1863, oil on canv
Image by: "stereotype stretched legs" Frederick Woodhouse Senior, 1820–1909. The Cup of 1862-1863, oil on canv